Britain's Oldest Wedding Portrait
Taken in 1856 to celebrate their marriage, the image below of Hannah Pratley and George Taylor is I believe, the oldest surviving wedidng photograph in Britain. It shows none of the obvious joy and intimacy of a modern wedding photograph and uncovering it has taken me on an exciting journey of discovery. Here lies a tragic tale of a Victorian working women's lot and involving murder, intrigue, forgiveness and an evangelical Christian movement...

Hannah was born in 1832 in what is now the picturesque Cotswold town of Burford. In her late teens she worked as a housemaid, but just a few years later her life took a dramatic turn when she was jailed for the manslaughter of her new-born son. A contemporary newspaper then reports the tragic, unforeseen: "suicide of the reputed father of the child". Hannah had fallen pregnant by a married man. Upon jailing Hannah the judge remarked: "It is a painful thing to administer justice on a respectable young women who might have done better things… It is necessary to make an example to deter others".
Thankfully, after her spell in jail Hannah did gain some happiness when she met and married George Taylor. According to Pam Vowles, one of Hannah's descendants, the Bible - which you can see on Hannah's lap - was given to her by Isabella Reynolds, whose son Thomas was a leader of the Plymouth Brethren - a strict religious sect which follows a rigorous moral code to this day.
So how do we know our 1856 image is the oldest surviving wedding photograph? It is an ambrotype (made on a sheet of glass with a backing of black paper or varnish) which clearly dates it to before 1862. There is a wedding image of Queen Victoria and Prince Albert that was previously believed to be one of the earliest: but it is simply a recreation of their 1840 marriage taken over a decade later.
The image of George and Hannah is a far cry from the modern wedding photograph, which is blanketed in happiness and celebration: it is glamour-less, joyless and with little of the bride and groom's personalities shining through. The bride isn't smiling because this was considered a solemn occasion, there are no embraces - and certainly no kisses, with George allowed to do little more than extend an arm around his loved one's shoulder. They are of course dressed in their Sunday best: that was the norm. Modern wedding photographers are among the most proficient and talented in the trade, with carefully planned and detailed shoots. This however, was sold for little more than a shilling, was taken in a photographer's studio and with little or no preparation.
So this month, when we celebrate love on St Valentine's Day, the Leap Year (when a woman can traditionally propose) and also the bicentenary of the birth of Charles Dickens, this wedding photograph really speaks to me and uncovering its story has made me think... The Victorians invented the art and science of photography and championed the now traditional wedding photograph: a moment captured in time that links us to our past as well as our future. Even those couples who prefer modern, reportage style photography generally opt for a few traditional poses. And in this age of digital photography when hundreds of wedding photographs are never printed, but instead viewed on a laptop, iPad and smartphone, the iconic image of the bride and groom generally does make the frame and is still proudly displayed on the mantelpiece.
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Sarah Haywood © 2012
Thank you to Audrey Linkman for the fascinating insights in her book: The Victorians: A Photographic Portrait

© Sarah Haywood